Jeff schlanger

Painter, Sculptor, and Graphic Artist

Jeff Schlanger was a New York City native, a graduate of Music & Art High School, and a ceramic art student of Maija Grotell at Cranbrook. Across his life and work, he developed public art projects around three closely connected subjects: Peace, War, and Music.

As the musicWitness®, Jeff created live paintings alongside generations of creative improvising musicians, translating the energy, movement, and intensity of performance into color and form. His paintings and sculptures were part of every Vision Festival from its beginning in 1996, and in 2014 he received Vision Festival Lifetime Recognition.

his work was presented internationally at festivals and institutions including the academy of the arts in berlin, the tampere jazz happening in finland, the guelph jazz festival in canada, the knitting factory, cue art foundation, el taller latino americano, and numerous arts spaces across new york city and beyond. from 1996, he painted live at every vision festival — translating the music into image in real time.

Jeff’s visual work also became closely connected to recorded music. At the request of musicians, his paintings appeared on album covers by artists including Julius Hemphill, Muhal Richard Abrams, Roscoe Mitchell, Charles Gayle, William Parker, Billy Bang, and Kidd Jordan.

Alongside the musicWitness® project, Jeff created monumental ceramic works addressing war, fascism, and the human cost of violence. Throughout his career, painting, sculpture, music, and public life remained deeply interconnected.

paintings musicWitness

album / book covers

videos

Blue Victor
In Blue Victor, William Parker’s improvised bass solo unfolds alongside artist Jeff Schlanger sculpting a likeness of Chilean singer-songwriter Víctor Jara. Sound and image, music and sculpture — a meditation on artistic freedom, memory, and the enduring power of art.

sculpture

CHILE•NEW YORK•GAZA

CHILE•NEW YORK•GAZA is a large-scale clay installation Jeff Schlanger began in 1973 and continued developing over decades.

The work grew in part from poems sent to Jeff from Chile by his friend, poet James Scully, alongside news of the political violence taking place there. Made up of hundreds of sculpted faces, the installation became an evolving response to war, violence, and the destruction of human life and culture.

As the world changed, the installation evolved with it, taking on new forms and titles while remaining rooted in Jeff’s belief in art as witness and resistance.

Learn more about the history of the work at El Taller Latino Americano.

CHILE•NEW YORK•GAZA — installation view, Jeff Schlanger

work-in-progress since 1973

words about Jeff

jeff schlanger 🌀 musicWitness: his life, his work, his passion
patricia nicholson remembers jeff, his art, and decades of friendship and collaboration.
improvisors collective · 2026 · read →

vision of the musicWitness
“…some of jazz and improvisational music’s most memorable moments of clarity”
all about jazz · 2004 · read →

musicWitness
jeff’s own archive of paintings, sculpture, and decades of witnessing the music.
musicwitness.com · visit →